selected works
Supporto memoria/Memory Device (2024)
Reversal Exercise (2024)
Perturbazione/Disturbance (2023)
East Berlin 1990-2020 (2023)
He sido yo. Diario 1900–1999 (2023)
You Are Mine (2022-ongoing)
Orlando's Library (2021-ongoing)
The Beginning The End (2014-20)
Planet Earth: 21st Century (2015-19)
Это была я. Дневник 1900-1999 (2019)
1975 - Diario di strada / Diary from the Road (2017)
Bookshelf (2016-ongoing)
A New Bookstore (2016)
Én voltam. Napló 1900−1999 (2016)
Archive in Progress (2015-ongoing)
Danke Schatz! (2013)
My Film History - Daniela Comani's Top 100 Films (2012)
OFF - Landscapes With Sunset (2010)
Your Home in Berlin (2011)
Det var jag. Dagbok 1900–1999 (2011)
C'était moi. Journal 1900-1999 (2010)
我曾經。日記1900-1999 (2008)
It Was Me. Diary 1900-1999 (2008)
100 Jahre : 100 Sekunden (2008)
Ich war's. in 32 Tagen um den Alexanderplatz. 1805-2007 (2007)
New Publications Edited by Daniela Comani (2007-ongoing)
Coverversionen (2007-ongoing)
Fine (2007-08)
Bikini (2007)
Sono stata io. Diario 1900-1999 2006)
A Happy Marriage (2003-ongoing)
Ich war's. Tagebuch 1900-1999 (2002-ongoing)
Office Ladies (2002)
Printed Women #02/Japan (2001)
Printed Women (2000-08)
Happy Men (1999)
Fotoleinen (1996)
Jein (1997)
Palinsesto (1997)
Carne / Flesh (1995-96)
Abwesende Subjekte (1995-97)
Moskau-Tokyo (1993-94)
Kommunikation vs Entfremdung (1993)
Untitled / I Kiss Myself (1992)
selected drawings
Women on Plastic (2007)
Double Drawings/Japan (2001)
Ladies (2000)
Double Drawings (1995-2002)
Bosheiten / Cattiverie (1992-95)
Supporto memoria/Memory Device (2024)
Reversal Exercise (2024)
Perturbazione/Disturbance (2023)
East Berlin 1990-2020 (2023)
He sido yo. Diario 1900–1999 (2023)
You Are Mine (2022-ongoing)
Orlando's Library (2021-ongoing)
The Beginning The End (2014-20)
Planet Earth: 21st Century (2015-19)
Это была я. Дневник 1900-1999 (2019)
1975 - Diario di strada / Diary from the Road (2017)
Bookshelf (2016-ongoing)
A New Bookstore (2016)
Én voltam. Napló 1900−1999 (2016)
Archive in Progress (2015-ongoing)
Danke Schatz! (2013)
My Film History - Daniela Comani's Top 100 Films (2012)
OFF - Landscapes With Sunset (2010)
Your Home in Berlin (2011)
Det var jag. Dagbok 1900–1999 (2011)
C'était moi. Journal 1900-1999 (2010)
我曾經。日記1900-1999 (2008)
It Was Me. Diary 1900-1999 (2008)
100 Jahre : 100 Sekunden (2008)
Ich war's. in 32 Tagen um den Alexanderplatz. 1805-2007 (2007)
New Publications Edited by Daniela Comani (2007-ongoing)
Coverversionen (2007-ongoing)
Fine (2007-08)
Bikini (2007)
Sono stata io. Diario 1900-1999 2006)
A Happy Marriage (2003-ongoing)
Ich war's. Tagebuch 1900-1999 (2002-ongoing)
Office Ladies (2002)
Printed Women #02/Japan (2001)
Printed Women (2000-08)
Happy Men (1999)
Fotoleinen (1996)
Jein (1997)
Palinsesto (1997)
Carne / Flesh (1995-96)
Abwesende Subjekte (1995-97)
Moskau-Tokyo (1993-94)
Kommunikation vs Entfremdung (1993)
Untitled / I Kiss Myself (1992)
selected drawings
Women on Plastic (2007)
Double Drawings/Japan (2001)
Ladies (2000)
Double Drawings (1995-2002)
Bosheiten / Cattiverie (1992-95)
Ladies. 160 Heads
1999-2000
ink on paper, each 21 x 29,7 cm
"Ladies" aren‘t portraits, they are just pictures of heads. The models for the drawings were taken from magazines and newspapers. Photographs of unknown and prominent faces of women from fashion, politics, culture, sport, and advertisements were used. The original context of the photographs has been omitted: All recognizable traits and clues to the originals are left out, and all that remains are the many heads with many different faces, reduced to line-drawings on paper, and staring into the void.
The series is also an artist book with a special edition.
1999-2000
ink on paper, each 21 x 29,7 cm
"Ladies" aren‘t portraits, they are just pictures of heads. The models for the drawings were taken from magazines and newspapers. Photographs of unknown and prominent faces of women from fashion, politics, culture, sport, and advertisements were used. The original context of the photographs has been omitted: All recognizable traits and clues to the originals are left out, and all that remains are the many heads with many different faces, reduced to line-drawings on paper, and staring into the void.
The series is also an artist book with a special edition.