selected works

Supporto memoria/Memory Device (2024)
Reversal Exercise (2024)
Perturbazione/Disturbance (2023)
East Berlin 1990-2020 (2023)
He sido yo. Diario 1900–1999 (2023)
You Are Mine (2022-ongoing)
Orlando's Library (2021-ongoing)
The Beginning The End (2014-20)
Planet Earth: 21st Century (2015-19)
Это была я. Дневник 1900-1999 (2019)
1975 - Diario di strada / Diary from the Road (2017)
Bookshelf (2016-ongoing)
A New Bookstore (2016)
Én voltam. Napló 1900−1999 (2016)
Archive in Progress (2015-ongoing)
Danke Schatz! (2013)
My Film History - Daniela Comani's Top 100 Films (2012)
OFF - Landscapes With Sunset (2010)
Your Home in Berlin (2011)
Det var jag. Dagbok 1900–1999 (2011)
C'était moi. Journal 1900-1999 (2010)
我曾經。日記1900-1999 (2008)
It Was Me. Diary 1900-1999 (2008)
100 Jahre : 100 Sekunden (2008)
Ich war's. in 32 Tagen um den Alexanderplatz. 1805-2007 (2007)
New Publications Edited by Daniela Comani (2007-ongoing)
Coverversionen (2007-ongoing)
Fine (2007-08)
Bikini (2007)
Sono stata io. Diario 1900-1999 2006)
A Happy Marriage (2003-ongoing)
Ich war's. Tagebuch 1900-1999 (2002-ongoing)
Office Ladies (2002)
Printed Women #02/Japan (2001)
Printed Women (2000-08)
Happy Men (1999)
Fotoleinen (1996)
Jein (1997)
Palinsesto (1997)
Carne / Flesh (1995-96)
Abwesende Subjekte (1995-97)
Moskau-Tokyo (1993-94)
Kommunikation vs Entfremdung (1993)
Untitled / I Kiss Myself (1992)

selected drawings

Women on Plastic (2007)
Double Drawings/Japan (2001)
Ladies (2000)
Double Drawings (1995-2002)
Bosheiten / Cattiverie (1992-95)
1975 - Diario di strada / Diary from the Road, 2017, each 30 x 40 cm
1975 - Diario di strada / Diary from the Road, KUNSTSAELE Berlin, 2017
1975 - Diario di strada / Diary from the Road
2012-2017
Archival pigment print on Photo Rag, each 30 x 40 cm

As a child, my parents and I would sometimes drive to Alto Adige in northern Italy for summer holiday. During these drives, I sat in the backseat and my favorite pastime was to list the cars that drove by, like the brand, the model, and the cities on the license plates. 37 years later, I found one of my old notebooks, a planner from 1975 with my list of cars. I researched and found dated, heterogeneous images of the cars that were on my list, and edited them so that they looked like they were shot in the same photo studio. I made an artist book and a series of photographs from this material and from the pages of my old planner.

Installation view: Sebastian Eggler