selected editions
Giorgia Vasari (2022)
Orlando’s Library (2022)
The Beginning The End (2021)
The B The E (2021)
Eine glückliche Ehe (Planet Earth) (2020)
Planet Earth: 21st Century (2020)
Neuerscheinungen (2019)
Bookshelf (2018)
Bauhaus Ich, Meisterhäuser, Dessau (1992/2018)
Fine/The End (2018)
1975 - Diario di strada (2017)
Le promesse spose (2016)
OFF #01 and OFF #23 (2013)
Printed Women (2008)
A Happy Marriage (2006)
Double Drawings (2001)
Spiel doch mit (1999)
Giorgia Vasari (2022)
Orlando’s Library (2022)
The Beginning The End (2021)
The B The E (2021)
Eine glückliche Ehe (Planet Earth) (2020)
Planet Earth: 21st Century (2020)
Neuerscheinungen (2019)
Bookshelf (2018)
Bauhaus Ich, Meisterhäuser, Dessau (1992/2018)
Fine/The End (2018)
1975 - Diario di strada (2017)
Le promesse spose (2016)
OFF #01 and OFF #23 (2013)
Printed Women (2008)
A Happy Marriage (2006)
Double Drawings (2001)
Spiel doch mit (1999)
Bauhaus Ich, Meisterhäuser, Dessau
1992/1995
2018, archival print on Hahnemühle Photo Rag Pearl 320g, 29,7 x 21 cm
Edition of 10 + 2 AP
In 1992, I visited the Bauhaus Building and the Meisterhäuser (Master’ Houses) in Dessau, Germany. The Meisterhäuser were closed and in very bad condition. On an outside wall I found a graffiti tag reading "Ausländer raus (Foreigners out) - Adolf" accompanied by a swastika. I took a self portrait in front of the wall. In 1995 I used this photo in my series "Absent Subjects," cutting out my figure from the wall.
In 2018 I composed both photos (with and without subject) for a juxtaposition beetwen the past and the current political state.
1992/1995
2018, archival print on Hahnemühle Photo Rag Pearl 320g, 29,7 x 21 cm
Edition of 10 + 2 AP
In 1992, I visited the Bauhaus Building and the Meisterhäuser (Master’ Houses) in Dessau, Germany. The Meisterhäuser were closed and in very bad condition. On an outside wall I found a graffiti tag reading "Ausländer raus (Foreigners out) - Adolf" accompanied by a swastika. I took a self portrait in front of the wall. In 1995 I used this photo in my series "Absent Subjects," cutting out my figure from the wall.
In 2018 I composed both photos (with and without subject) for a juxtaposition beetwen the past and the current political state.